Cathedrals and Their Messages

January 15th, 2009 § 1 Comment

"A Sea of Steps," Wells Cathedral, 1903, by Frederick H. Evans, Museum of Modern Art

"A Sea of Steps," Wells Cathedral, 1903, by Frederick H. Evans, Museum of Modern Art

My son Dylan and I are reading through David Macaulay’s fantastic series of books about buildings. We’ve read about the construction of castles, pyramids, and cities, and right now we’re reading Cathedral.

The timing is interesting, given that our church is in the middle of fund-raising for a new facility. The morality of such construction projects is increasingly questioned by those who cite the poverty of the developing world, and the massive needs around us here at home. I find myself reading Macaulay’s book and looking at his drawings through the lens of my own struggles with our project.

Why do some buildings strike me as self-indulgent and offensive, while others impress me with a message?

In the case of the medieval cathedrals, I can’t help reacting to the abuses that financed them, like the display of relics and the sale of indulgences. I also react to the throne-and-altar alliances that the cathedrals incarnated: the church sanctified the kings of this world and their wars. History rightly pours scorn on these aspects of cathedrals, and highlights the fact that on Sundays most of them are now empty.

As I’ve watched contemporary building programs both at a distance and up close, I notice that a project’s legacy is often soured by manipulative funding campaigns, or by designs that are patently self-serving. Such buildings become symbols of corruption rather than places for fostering godliness.

I recall a visit to the Crystal Cathedral in southern California years ago. Parts of the campus were beautiful. But the famous building itself was bizarre. Wherever I went around the exterior, I saw myself in a massive mirror. When I went inside, I found that all the seats faced straight ahead, not toward the pulpit, so that it was far more pleasing to watch the massive TV screens than to look at the actual preacher.

In fact, I was in a space built for cameras, for viewership rather than worship. In such places, I don’t begrudge the cost so much as the message.

Consider some ways in which the medieval cathedrals transcended their often vainglorious origins:

1. The cathedrals were direct expressions of the faith of common people.

Bishops didn’t build cathedrals; craftsmen did. Whole lifetimes would be spent cutting stones, carving ornaments, blowing glass, climbing scaffolding. The craftsmen remain anonymous, individual contributors to a vast conception meant to evoke the created order. That kind of devotion is worth something. It is not to be sneered at. The level of skill these laborers had is stunning even in the pages of a book for children.

2. The cathedrals united generations.

The people who dug the foundations were dead long before the cathedral was consecrated. In these projects there was a sense of continuity, of one generation receiving a charge from another, carrying on the work, and passing the charge on to their children.

This aspect of cathedral-building in a community’s life is no longer seen as valuable or even desirable, a fact that speaks of a deeper corruption in us than mere materialism. In a word, it indicates decadence.

3. The cathedrals have a present-day impact on a person’s soul.

They say something. They speak to even the most unlearned child. When you walk around the outside of a cathedral, it doesn’t flash back your own image, but a vision of another world. When you go inside, it doesn’t say, “Look at the jumbo-tron.” It says, “Look up!”

The aspersions cast on buildings can also be cast on all the arts. If it is a selfish luxury to make buildings with a message, then it is also selfish to make songs, paintings, photographs, poems, and novels. All of the arts require time, devotion, and money. But we miss the balm of God-given creativity when we lower all of life to the utilitarian bottom-line.

Our building in Orland will not rise above commercial-grade design and construction, which saddens me. But I also know that our design is flexible. We can humanize it by the arts we can afford, and we will. Above all, we will have worship space that encourages participation, not viewership. We’ll have large spaces for many purposes, but also very small spaces set aside for one-on-one counseling and prayer.

The cathedrals were only possible because a strong culture knew what it wanted to say and how to say it. While our building will never be an artistic marvel, it will be a clear message.

The “Death and the Maiden” Tarantella

January 14th, 2009 § Leave a Comment

Here is last movement of Franz Schubert’s String Quartet in d minor, D 810. The movement is very fast (marked “Presto”), and is a tarantella, a frenzied dance to ward off the poison of a tarantula bite.

The four-movement quartet did not acquire its macabre title, “Death and the Maiden,” because of this tarantella movement, but because of the slow second movement. It uses a song of the same name also composed by Schubert.

Books: Obama and Richard Reeves’ Kennedy

January 13th, 2009 § Leave a Comment

scan00021President Kennedy: Profile of Power, by Richard Reeves, Simon & Schuster, 1993.

by Matthew Raley

Recently, anticipating an Obama administration, I reread Richard Reeves’ narrative of John Kennedy’s presidency, and was engrossed.

Barack Obama’s ascent provided the excuse I’d been wanting to return to this book because Kennedy is the nearest analogy to the man who will be the 44th president. Just for starters, Kennedy was a barrier-breaker, as the first Catholic to occupy the White House, and he was young.

But there are more significant parallels. JFK had no executive experience, and was the last sitting U.S. senator to win the presidency. He also represented generational change, and a break with ideological passions in favor of a sophisticated pragmatism. Indeed, JFK was the last president to have the sheen of academic and writerly intellectual seriousness.

Does the Kennedy administration, I wonder, suggest anything to watch as Obama takes over?

First, a few outstanding features of Reeves’ book, Obama aside.

Reeves is the master of the taut, high-impact vignette. Kennedy was pondering what to do about renewed Soviet atmospheric nuclear testing. Should the U.S. resume atmospheric testing too? He asked his science adviser, Jerome Wiesner, how radioactive fallout gets to the earth (p 227).

“The clouds are washed out by rain,” answered Wiesner.

Kennedy looked out through the French doors into the garden. It was a rainy day and he asked: “You mean it’s in the rain out there?”

“Yes,” Wiesner said. He stood, awkwardly, waiting. Kennedy did not speak for a long time.

Reeves also conveys the private impact on national leaders of events like the Cuban missile crisis. His understated portrayal gains power from the right details at the right moments. Mike Mansfield, the Senate Majority Leader, left the White House after learning that millions could be dead within hours in a nuclear exchange (p 393). The senator

called his wife, asking her to meet him at National Airport. Mansfield wanted to go home to Montana, and he told his wife there was something he wanted to tell her involving Kennedy. When the Mansfields landed at Billings later that day, there were soldiers patrolling the runways and the terminal — as there were at other airports all across the country.

The Kennedy assassination (which I hope never becomes a parallel between the 35th and 44th presidents) gains drama and tension as Reeves’ narrative rolls on. The dates at the beginning of each chapter prompt the reader to ask, “What if JFK knew he only had this much time?”

And there are chilling moments close to the end.

On November 2, 1963, JFK sat down to a meeting to manage the coup against Ngo Dinh Diem, the South Vietnamese president. An aide walked into the meeting with a cable reporting that Diem had been killed in the coup (p 649). “[The aide] handed it to the President, who looked at it, stood up, and rushed from the room without a word, looking pale and shaken.”

In Fort Worth on November 22nd, surveying the setting of a political rally he would attend before flying to Dallas, Kennedy said to an aide (p 661), “Look at that platform. With all these buildings around it, the Secret Service couldn’t stop someone who really wanted to get you.”

My reading raised one issue that I will be watching closely in the Obama administration.

JFK’s view of military power and foreign policy was primarily political. How would the United States be perceived around the world, and how would JFK be perceived at home?

During the Bay of Pigs fiasco, Kennedy refused to send American air support to save the ex-patriot invasion force. He wanted to preserve plausible deniability of American involvement.

Reeves writes (p 157) that Kennedy, meeting Nikita Khruschev in Vienna in 1961, wanted to “talk to him politician-to-politician about the dangers of military miscalculation in a nuclear world. The political systems that produced the two leaders were different, but they were in the same business and Kennedy had no doubt they would understand each other.”

But Kennedy was unprepared for the ideological strength of the Soviet leader. When asked by James Reston how the summit had gone, Kennedy replied (p 172), “Worst thing in my life. He savaged me.”

The pattern Reeves shows in Kennedy’s decision-making is one of trying to preserve his room for maneuver and his deniability until the last possible moment. This was his downfall in the Bay of Pigs, it persisted during the Cuban missile crisis, and remain characteristic during the coup against Diem in the last month of Kennedy’s life.

Of the impending coup, JFK cabled Henry Cabot Lodge, the ambassador to South Vietnam, “We are particularly concerned about hazard that an unsuccessful coup, however carefully we avoid direct entanglement, will be laid at our door by public opinion almost everywhere.”

Barack Obama is not an ideological, but a political creature. He balances, he soothes, he preserves options.

This is good in the sense that Obama will probably not turn out to be the radical leftist some fear. But in foreign policy, where uses of military power have to be concerned less with appearances than with targets and results, and where power needs to be used without a guilty conscience, Obama’s penchant for equivocation could be his undoing.

After the Bay of Pigs humiliation, Dwight Eisenhower visited Kennedy at Camp David, and gave him the dressing-down of his life (pp 102-103). “How could you possibly have kept from the world any knowledge that the United States had been involved?” Ike said. “I believe there is only one thing to do when you go into this kind of thing, it must be a success.”

But we don’t have the equivalent of a former president Eisenhower anymore.

Caillebotte’s Street Scene

January 12th, 2009 § Leave a Comment

"Paris Street; Rainy Day, 1877," by Gustave Caillebotte, Art Institute of Chicago

"Paris Street; Rainy Day, 1877," by Gustave Caillebotte, Art Institute of Chicago

This picture is famous, and I think justly. Begin with the impact, lost on us now but still striking in 1877, of showing that an urban street’s story is worth telling on canvas. Then observe the fine draftsmanship and the skillful effects like the water on stone, qualities that never lose impact.

I am also struck that the most dramatic effect of perspective, the vanishing-point building, is tempered not just by being in the background but by the faded colors of distance. Caillebotte is not striving to impress, but is creating a balanced design.

The story itself, for me, focuses on two pairs of eyes. The eyes of the top-hatted man look across the street at something, or someone. Hers, it seems, look at him.

The Temptation of Salesmanship

January 8th, 2009 § Leave a Comment

By Matthew Raley

As the Orland Evangelical Free Church raises funds for a new facility, I am in charge of communicating the vision. I have had many struggles with the fundraising process, most of them in the small hours of the morning.

Fundraisers, as a rule, shouldn’t confess their doubts, but should project certitude. This building is God’s will. They should not admit that the future holds uncertainties, or wonder aloud about communication ethics.

Furthermore, in our case, response to the vision for ministry that we’ve articulated has been positive. In many cases, passionately so. We’re getting this response because the ministries that will be advanced by a new building are the fruit of decades of prayerful work by many, many believers in this region.

Why bother confessing pastoral struggles when the laws of fund raising forbid it and when support for the project is already strong?

Simply put, I don’t feel that people should accept my certainties until they’ve heard my struggles. Here is one: how to show leadership when so many people are used to salesmanship.

There are similarities between the two.

Both salesmen and leaders have to present a strong case for their proposals. They have to show passion, and they have to transfer that passion to others through articulate presentations. In the final analysis, they have to move people.

But there is a crucial difference, one that goes to the heart of what a pastor is.

A salesman aims his message at people’s existing priorities. The customer wants a red car. She likes red. She wants to see the red cars the salesman has. The salesman who walks her over to a yellow car and spends five minutes extolling the virtues of yellow is an idiot.

If I’m a salesman-pastor, my goal is to sell the new building. I speak to the most immediate, tangible priorities the people have, and show that the building will scratch their itch. Y’all want larger space, better lighting, no more leaks? Have we got the plan for you!

But a leader aims his message at what people’s priorities must become.

The people in any church have narrow priorities. Some are devoted to their families, but not engaged with the community. Others are passionate about learning the Bible, but need to put that learning into practice. For most, the weekly grind of life forms horizons that are too near, and they need to see how the Kingdom of God calls them further.

So, if I’m a leader-pastor, my goal is to draw people out of their narrow corners to embrace new priorities. I show how scripture calls us all to personal growth, and how it calls us to be part of corporate experiences of God’s power. For a leader, the building is a secondary product of this kind of spiritual growth — an important indicator of whether something real has happened, but only an indicator.

We are living in a time of salesmanship, not leadership. Many of those who are supposed to lead — pastors and politicians all the way to artists and intellectuals — have given up their callings and opted for the easier course of selling.

We are now smaller, uglier, and more cynical. We expect communication to be manipulative.

But in the struggle to communicate I have two certainties.

First, the believers in Orland are constantly striving to enlarge their Kingdom priorities. They have given more time, money, and prayer to their ministries every year. They are seeking training, giving counseling, crossing generational and cultural lines to build each other up.

I am certain they will see the need for larger kingdom priorities not as manipulation, but as encouragement. I return to this confidence as a way of keeping my tone with Christ’s people respectful.

Second, I am certain that the Lord will notice his people changing their priorities, and that he will provide the facilities we need — in the time and the manner of his choosing. We will see God move — the greatest sight of all.

To sell a mere building would be to settle for considerably less.

Ivry Gitlis Playing Saint-Seans

January 7th, 2009 § Leave a Comment

Ivry Gitlis is the violin’s crazy old man. Here he is as a crazy young man, gremlin face and all, tossing off Camille Saint-Seans’ Rondo Capriccioso with casual brilliance and a mighty sense of fun.

What I love most about Gitlis’ playing, beyond his technical mastery, is the range of his tone colors. He can be hoarse, floaty, or rich. He has a wealth of vibrato techniques (speeds at which he vibrates his finger on the string), from non vibrato to a tornado-like spin.

I’d like to be crazy like this.

Luck or Stealth?

January 6th, 2009 § Leave a Comment

By Matthew Raley
"New York City, 1966," by Lee Friedlander, Museum of Modern Art

"New York City, 1966," by Lee Friedlander, Museum of Modern Art

What Alfred Hitchcock might have staged, Friedlander caught.

Audio: A Legacy for the Kingdom

January 5th, 2009 § Leave a Comment

By Matthew Raley
The Orland congregation dedicates the first building in 1912.

The Orland congregation dedicates the first building in 1912.

 Sermon audio (1-4-08): A Legacy for the Kingdom

The Orland Evangelical Free Church has inherited a century-old legacy of Kingdom ministry. Following the example of our founders’ sacrifices, we are now going to invest in a new facility that will advance both the church and North Valley Christian Schools. These two independent ministries will share the cost of this building to get the most out of scarce resources.

This sermon gives the first challenge to the congregation to take this opportunity.

Audio: Baptism and Your Identity

January 1st, 2009 § Leave a Comment

By Matthew Raley

Sermon audio (12-28-08): Baptism and Your Identity

"Baptism near Morehead, Kentucky," Marion Post Wolcott, 1940, Art Institute of Chicago

"Baptism near Morehead, Kentucky," Marion Post Wolcott, 1940, Art Institute of Chicago

This study of Acts 8:26-40 looks at how a a person can claim faith in Christ. In our age of shallow spirituality, in which Jesus is a brand that we consume, baptism expresses the depth of what Jesus has done for us: he has given us a new identity.

Audio: Barren No More (4 of 4)

January 1st, 2009 § Leave a Comment

By Matthew Raley
"The Annunciation," by Martin Schongauer, c. 1484, Art Institute of Chicago

"The Annunciation," by Martin Schongauer, c. 1484, Art Institute of Chicago

 We finished our Christmas series this year by comparing Zechariah and Mary in their encounters with Gabriel. For those who like their Christmas sermons a week late …

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