Cathedrals and Their Messages
January 15th, 2009 § 1 Comment
My son Dylan and I are reading through David Macaulay’s fantastic series of books about buildings. We’ve read about the construction of castles, pyramids, and cities, and right now we’re reading Cathedral.
The timing is interesting, given that our church is in the middle of fund-raising for a new facility. The morality of such construction projects is increasingly questioned by those who cite the poverty of the developing world, and the massive needs around us here at home. I find myself reading Macaulay’s book and looking at his drawings through the lens of my own struggles with our project.
Why do some buildings strike me as self-indulgent and offensive, while others impress me with a message?
In the case of the medieval cathedrals, I can’t help reacting to the abuses that financed them, like the display of relics and the sale of indulgences. I also react to the throne-and-altar alliances that the cathedrals incarnated: the church sanctified the kings of this world and their wars. History rightly pours scorn on these aspects of cathedrals, and highlights the fact that on Sundays most of them are now empty.
As I’ve watched contemporary building programs both at a distance and up close, I notice that a project’s legacy is often soured by manipulative funding campaigns, or by designs that are patently self-serving. Such buildings become symbols of corruption rather than places for fostering godliness.
I recall a visit to the Crystal Cathedral in southern California years ago. Parts of the campus were beautiful. But the famous building itself was bizarre. Wherever I went around the exterior, I saw myself in a massive mirror. When I went inside, I found that all the seats faced straight ahead, not toward the pulpit, so that it was far more pleasing to watch the massive TV screens than to look at the actual preacher.
In fact, I was in a space built for cameras, for viewership rather than worship. In such places, I don’t begrudge the cost so much as the message.
Consider some ways in which the medieval cathedrals transcended their often vainglorious origins:
1. The cathedrals were direct expressions of the faith of common people.
Bishops didn’t build cathedrals; craftsmen did. Whole lifetimes would be spent cutting stones, carving ornaments, blowing glass, climbing scaffolding. The craftsmen remain anonymous, individual contributors to a vast conception meant to evoke the created order. That kind of devotion is worth something. It is not to be sneered at. The level of skill these laborers had is stunning even in the pages of a book for children.
2. The cathedrals united generations.
The people who dug the foundations were dead long before the cathedral was consecrated. In these projects there was a sense of continuity, of one generation receiving a charge from another, carrying on the work, and passing the charge on to their children.
This aspect of cathedral-building in a community’s life is no longer seen as valuable or even desirable, a fact that speaks of a deeper corruption in us than mere materialism. In a word, it indicates decadence.
3. The cathedrals have a present-day impact on a person’s soul.
They say something. They speak to even the most unlearned child. When you walk around the outside of a cathedral, it doesn’t flash back your own image, but a vision of another world. When you go inside, it doesn’t say, “Look at the jumbo-tron.” It says, “Look up!”
The aspersions cast on buildings can also be cast on all the arts. If it is a selfish luxury to make buildings with a message, then it is also selfish to make songs, paintings, photographs, poems, and novels. All of the arts require time, devotion, and money. But we miss the balm of God-given creativity when we lower all of life to the utilitarian bottom-line.
Our building in Orland will not rise above commercial-grade design and construction, which saddens me. But I also know that our design is flexible. We can humanize it by the arts we can afford, and we will. Above all, we will have worship space that encourages participation, not viewership. We’ll have large spaces for many purposes, but also very small spaces set aside for one-on-one counseling and prayer.
The cathedrals were only possible because a strong culture knew what it wanted to say and how to say it. While our building will never be an artistic marvel, it will be a clear message.
The “Death and the Maiden” Tarantella
January 14th, 2009 § Leave a Comment
Here is last movement of Franz Schubert’s String Quartet in d minor, D 810. The movement is very fast (marked “Presto”), and is a tarantella, a frenzied dance to ward off the poison of a tarantula bite.
The four-movement quartet did not acquire its macabre title, “Death and the Maiden,” because of this tarantella movement, but because of the slow second movement. It uses a song of the same name also composed by Schubert.
Caillebotte’s Street Scene
January 12th, 2009 § Leave a Comment
This picture is famous, and I think justly. Begin with the impact, lost on us now but still striking in 1877, of showing that an urban street’s story is worth telling on canvas. Then observe the fine draftsmanship and the skillful effects like the water on stone, qualities that never lose impact.
I am also struck that the most dramatic effect of perspective, the vanishing-point building, is tempered not just by being in the background but by the faded colors of distance. Caillebotte is not striving to impress, but is creating a balanced design.
The story itself, for me, focuses on two pairs of eyes. The eyes of the top-hatted man look across the street at something, or someone. Hers, it seems, look at him.
The Temptation of Salesmanship
January 8th, 2009 § Leave a Comment
By Matthew Raley
As the Orland Evangelical Free Church raises funds for a new facility, I am in charge of communicating the vision. I have had many struggles with the fundraising process, most of them in the small hours of the morning.
Fundraisers, as a rule, shouldn’t confess their doubts, but should project certitude. This building is God’s will. They should not admit that the future holds uncertainties, or wonder aloud about communication ethics.
Furthermore, in our case, response to the vision for ministry that we’ve articulated has been positive. In many cases, passionately so. We’re getting this response because the ministries that will be advanced by a new building are the fruit of decades of prayerful work by many, many believers in this region.
Why bother confessing pastoral struggles when the laws of fund raising forbid it and when support for the project is already strong?
Simply put, I don’t feel that people should accept my certainties until they’ve heard my struggles. Here is one: how to show leadership when so many people are used to salesmanship.
There are similarities between the two.
Both salesmen and leaders have to present a strong case for their proposals. They have to show passion, and they have to transfer that passion to others through articulate presentations. In the final analysis, they have to move people.
But there is a crucial difference, one that goes to the heart of what a pastor is.
A salesman aims his message at people’s existing priorities. The customer wants a red car. She likes red. She wants to see the red cars the salesman has. The salesman who walks her over to a yellow car and spends five minutes extolling the virtues of yellow is an idiot.
If I’m a salesman-pastor, my goal is to sell the new building. I speak to the most immediate, tangible priorities the people have, and show that the building will scratch their itch. Y’all want larger space, better lighting, no more leaks? Have we got the plan for you!
But a leader aims his message at what people’s priorities must become.
The people in any church have narrow priorities. Some are devoted to their families, but not engaged with the community. Others are passionate about learning the Bible, but need to put that learning into practice. For most, the weekly grind of life forms horizons that are too near, and they need to see how the Kingdom of God calls them further.
So, if I’m a leader-pastor, my goal is to draw people out of their narrow corners to embrace new priorities. I show how scripture calls us all to personal growth, and how it calls us to be part of corporate experiences of God’s power. For a leader, the building is a secondary product of this kind of spiritual growth — an important indicator of whether something real has happened, but only an indicator.
We are living in a time of salesmanship, not leadership. Many of those who are supposed to lead — pastors and politicians all the way to artists and intellectuals — have given up their callings and opted for the easier course of selling.
We are now smaller, uglier, and more cynical. We expect communication to be manipulative.
But in the struggle to communicate I have two certainties.
First, the believers in Orland are constantly striving to enlarge their Kingdom priorities. They have given more time, money, and prayer to their ministries every year. They are seeking training, giving counseling, crossing generational and cultural lines to build each other up.
I am certain they will see the need for larger kingdom priorities not as manipulation, but as encouragement. I return to this confidence as a way of keeping my tone with Christ’s people respectful.
Second, I am certain that the Lord will notice his people changing their priorities, and that he will provide the facilities we need — in the time and the manner of his choosing. We will see God move — the greatest sight of all.
To sell a mere building would be to settle for considerably less.
Ivry Gitlis Playing Saint-Seans
January 7th, 2009 § Leave a Comment
Ivry Gitlis is the violin’s crazy old man. Here he is as a crazy young man, gremlin face and all, tossing off Camille Saint-Seans’ Rondo Capriccioso with casual brilliance and a mighty sense of fun.
What I love most about Gitlis’ playing, beyond his technical mastery, is the range of his tone colors. He can be hoarse, floaty, or rich. He has a wealth of vibrato techniques (speeds at which he vibrates his finger on the string), from non vibrato to a tornado-like spin.
I’d like to be crazy like this.
Luck or Stealth?
January 6th, 2009 § Leave a Comment
Audio: A Legacy for the Kingdom
January 5th, 2009 § Leave a Comment
Sermon audio (1-4-08): A Legacy for the Kingdom
The Orland Evangelical Free Church has inherited a century-old legacy of Kingdom ministry. Following the example of our founders’ sacrifices, we are now going to invest in a new facility that will advance both the church and North Valley Christian Schools. These two independent ministries will share the cost of this building to get the most out of scarce resources.
This sermon gives the first challenge to the congregation to take this opportunity.
Audio: Baptism and Your Identity
January 1st, 2009 § Leave a Comment
By Matthew Raley
Sermon audio (12-28-08): Baptism and Your Identity
This study of Acts 8:26-40 looks at how a a person can claim faith in Christ. In our age of shallow spirituality, in which Jesus is a brand that we consume, baptism expresses the depth of what Jesus has done for us: he has given us a new identity.
Audio: Barren No More (4 of 4)
January 1st, 2009 § Leave a Comment
We finished our Christmas series this year by comparing Zechariah and Mary in their encounters with Gabriel. For those who like their Christmas sermons a week late …






