Audio: Jesus On His Own Terms

March 31st, 2009 § Leave a Comment

"Four Color Frame Painting Number 11," by Robert Mangold, 1985, Museum of Modern Art

"Four Color Frame Painting Number 11," by Robert Mangold, 1985, Museum of Modern Art

Many traditions attempt to put their own frame around Jesus and his teachings, as happened during his lifetime. In this fifth study of John 10, we look at how Jesus responded to an attempt to frame him in nationalistic terms, and we compare his teachings with those of Islam.

Ravel Played by the Hagen Quartet

March 27th, 2009 § 1 Comment

by Matthew Raley

For me, one of the transporting possibilities of chamber music is blending sounds. In a string quartet, such as we have here, each instrument can ride the tone qualities of the others, creating a corporate resonance.

Blend is not automatic. The Hagen Quartet uses a number of skills to produce it. Each player’s intonation is not merely correct, but is tempered to the harmonic situation of each note. Also, the players use the blossoming of tone in their instruments to craft subtleties and climaxes together.

I particularly noticed their use of vibrato. It is not continuous. These players have forged a unity about when to use it and when to let notes speak for themselves.

All of these practices create the vibrations amongst the instruments that constitute blend. This is a marvelous performance of a gorgeous piece.

Postmodern Skepticism and Apologetics

March 26th, 2009 § 4 Comments

My college student friend is like many people today who form their beliefs with an almost total disregard for evidence. He is open to supernatural claims, but closed to logic-chopping. He’s ready to believe in ancient traditions, finding them not merely interesting but enlightening, and discusses them alongside the latest in string theory.

Christians today are conflicted about how to address this mentality. The apologetical mode for decades has been focused on proof, but the audience for proof is dwindling.

Should I try to persuade my friend that evidence matters? Or should I provide him with a plausible narrative for faith, excusing myself from the standards of intellectual rigor?

It may help to be more specific about the postmodern person’s suspicion of evidence and logic.

I believe that the use of logic to build systems and discover truth is regarded by many today as a bluff, a game played by the erudite to intimidate the uninitiated. Evidence and logic matter, but an individual’s relatively small knowledge base leaves him open to counterfeits. He feels that he can’t untangle truth from falsehood because he lacks expertise.

I don’t think the average person agrees with the anathemas against reason pronounced by academic postmodernism. Rather, like my student friend, he is suspicious of what he cannot personally verify.

In working to persuade people of this mentality to follow Christ, there are two issues to untangle.

1. To agree with much academic postmodernist thinking that reasoning is artificial and without significance is to undermine human thought and embrace nihilism.

A biblical thinker should recognize the law of non-contradiction as foundational to thought and communication. The classic arguments for the existence of God, for example, are founded on deductive reasoning from this law, and have never been refuted. We should not pretend that speculative logic is worthless.

But these arguments have been set aside, and for good reason, to wit …

2. Audience does matter — its capabilities, its knowledge base, its experiences.

The abstract reasoning of, say, the ontological argument for the existence of God has always been a matter for audiences with technical fluency. There are real problems in trying to popularize such an argument.

To begin with, for most people even to comprehend it would require lectures for which they have no interest,  patience, or, in particular, use. We can agree with Mortimer Adler that every person should be a philosopher while recognizing that few have been educated as he would have educated them.

A Christian apologist has to decide whether he is a philosophical educator or a preacher of the gospel. The two callings are jealous of devotion.

Another problem with popularization is that the smiling apologist who reduces a classic argument to its breeziest simplicity will puff an audience of Christians with overconfidence and self-satisfaction. Oversimplification is not part of a healthy spiritual diet.

So propriety in reasoning matters. But so does audience.

I believe that, in our context, the Christian apologist should employ logic defensively, not to attempt positive proofs of the faith but to refute competing claims. And he should reason about matters genuinely open to his audience’s knowledge base.

In my current sermon series, then, I am taking on a proposition that is heard incessantly. The world’s religions are merely different expressions of the same spiritual realities.

The average person in my church has heard this. His or her friends have said it over and over. So this proposition is within his or her knowledge base, something the person is competent to evaluate.

My argument establishes a fact. The world’s religions are not different expressions of the same spiritual realities. They express different spiritual realities, and the differences are consequential.

In the sermons, I have used documentation from primary sources, and analysis of those teachings in comparison with John 10 to establish this fact. I have posed questions to my audience to drive home the contrasts, inviting their own investigations of other religions to test my statements.

The focus of this approach is narrow. I want to equip my audience to dispose of a flippant generalization. I also want my audience to evaluate the claims of Christ with greater specificity and rigor, regardless of whether they already claim to believe in Jesus.

Here’s my bet: take away people’s generalizations about Jesus and they will have to deal with what Jesus actually said. And if they deal with what he actually said, they will end up dealing with him.

This is a method that I believe maximizes what reason and evidence can accomplish, while speaking to issues that an audience is competent to assess.

Audio: Jesus Knows His Sheep

March 25th, 2009 § Leave a Comment

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"The Law of Series," by Laszlo Moholy-Nagy, 1925, Museum of Modern Art

In this sermon on John 10, we compare Jesus’ teachings with some of the teachings of Buddhism, asking whether they really are different versions of the same spiritual realities.

I saw the Moholy-Nagy photograph quite some time ago at MOMA, and have been looking for an opportunity to use it in a sermon. Finally found one.

Evidence From Christ’s Own Voice

March 19th, 2009 § 2 Comments

by Matthew Raley

Let’s step out of the mode of persuading skeptics for now, and think more specifically about the experience of conversion. We’ll get back to the issues of persuasion next week. They’re important. But I’m convinced we can’t construct a sound apologetic for our Christian faith without understanding of what has happened to us.

Jesus is specific in John 10 about what moves people to follow him: recognition.

“The sheep hear [the Shepherd's] voice.” (10.3) “[T]he sheep follow him, for they know his voice. A stranger they will not follow … for they do not know the voice of strangers.” (10.4-5) “I know my own and my own know me.” (10.14) “And I have other sheep that are not of this fold … and they will listen to my voice.” (10.16) “My sheep hear my voice, and I know them, and they follow me.” (10.27)

Jesus is describing at least two things.

There is a quality in his voice that turns his sheep. The quality is personal, unique to Jesus, and it is communicable from him to his sheep. In other words, there are subjective characteristics inside Jesus (pardon the redundancy, but I’m emphatic about this point) that are expressed in his voice. His interior qualities constitute the object of the sheep’s recognition.

I know him.

Further, there is something in his sheep that instinctively responds to his voice. Subjectively, each sheep recognizes the qualities of the Shepherd through the medium of his voice. This experience is, by definition, not something one person can share with another, but only describe.

So Jesus teaches that the decisive factor in conversion is an interaction. While the experience is subjective, Jesus clearly expects people to reflect on it. He describes, in other words, a reasoning process that accepts subjectivity as part of decision-making.

Last Sunday evening, as part of our church’s discussion of the morning’s sermon, I asked participants to tell me how they knew God was speaking to them. They described several characteristics, of which I give two:

1. Automatic change.

One woman said that after her conversion to Christ some of behaviors simply reversed. She no longer did the things she had desired in the past. It was a change she couldn’t help noticing, but had never initiated.

2. A source of thoughts and motives other than self.

Several people described the experience of thinking, saying, or doing things that they could not attribute to themselves. The source, they said, had been Other. This is a different experience from an intuition or sub-rational process issuing in an action. A person can say, “I don’t know why I did that,” while still recognizing that the action came from him- or herself. But the participants described actions that they could not recognize as coming from themselves.

There were other characteristics, but these two illustrate that the people could describe a specific kind of experience.

Remember, we’re out of the mode of persuading skeptics. We’ll get back to it later.

Suppose we accepted this subjectivity as a legitimate part of spiritual decision-making. Is there a basis for reasoning about it? True, information from the two kinds of experiences above is fragile, and will only bear so much weight. The information is falsifiable, and is not open to objective proof. Even so, can we reason about this kind of subjectivity?

Consider two analogies.

The many indicators of falling in love are also fragile, also open to falsification, and all too frequently misunderstood. But romantic love is nevertheless a real experience.

A more fruitful comparison might be made with pain. Medicine does not have truly objective measures of pain, but tries to plumb the experience in search of diagnosis. The question What do you feel? is primary. Such information as location, kind, and scale of pain is limited by the patient’s ability to communicate, verbally and physically. The information is indirect, fragile, and open to falsification.

But pain is real. Reflection and conversation about it can yield legitimate conclusions.

I believe our understanding of evangelism and apologetics should be revolutionized.

No one’s decision-making process is purely objective. Decisions that mix objective and subjective priorities are the only decisions human beings are capable of making. So in evangelism, we shouldn’t merely give evidence that points to Christ, urging people to make an inference that Christ’s claims are true. Nor should we merely give evidence that proves competing claims false, hoping that people will convert to Christ by an analytical process of elimination.

Rather, the evangelist’s goal should be to nurture an awareness of Christ’s voice, the recognition of which is all the evidence people will need to follow him.

Daumier’s Gloomy Aesthete

March 18th, 2009 § Leave a Comment

by Matthew Raley

"The Print Collector," by Honore Victorin Daumier, c. 1857-63, Art Institute of Chicago

"The Print Collector," by Honore Victorin Daumier, c. 1857-63, Art Institute of Chicago

Daumier was a prolific illustrator, so one of his fortes was vigorous characterization. I stumbled across this oil painting today and was struck by the commentary on its subject. Amid the gloom the collector, who gives an impression of age, seems to rest his desultory gaze on a gleaming woman. Has he turned away and then looked back over his shoulder?

The atmosphere is not one of pleasure, but of boredom. The aesthete’s desiccated sensibilities reach for something beyond art for art’s sake.

Audio: Jesus Lays Aside His Essence

March 17th, 2009 § Leave a Comment

"Crucifixion," by Francesco Mazzola, 1524-27, Art Institute of Chicago

"Crucifixion," by Francesco Mazzola, 1524-27, Art Institute of Chicago

In this study, we continue to deepen our understanding of Jesus’ truth claims in John 10, exploring more specifically what Jesus meant when he said he is the good shepherd who lays down his life for the sheep. We also compare and contrast Jesus’ teaching with a passage from The Bhagavadgita.

I used a detail of this drawing by Mazzola during the sermon, focusing on Jesus. Unfortunately, there wasn’t room to show the most powerful part of the drawing: the visual emphasis is on the sheep in the foreground, at whom Jesus seems to be looking as he hangs on the cross.

Menuhin and Gould With a Complete Bach Sonata

March 13th, 2009 § 1 Comment

by Matthew Raley

No excerpts today, but a complete work in a film that is fascinating at many levels. Start with the performers, Glenn Gould and Yehudi Menuhin. It would be hard to find two more different characters.

Gould was eccentricity incarnate, seen here making a circular movement with his head that is, shall we say, unsettling, and seeming to talk to the keyboard. You can also, of course, hear him singing.

Menuhin was a study in elegance. Not only his left- and right-hand positions, but his posture and his tailoring are flawless. He has an economy of motion that is inspiring.

So, behold, the cherub and the gargoyle.

The piece itself adds another layer of interest. Bach’s Violin Sonata, BWV 1017, is a powerful work, and the third movement (pt. 3) is a favorite of mine. But the question always is, “How will the performer interpret this music?” Today, there is a consensus that we should play it Bach’s way — light, dance-like, less vibrato. This is a consensus I basically agree with.

At the time this film was made, the romantic interpretive approach to Bach was beginning to sound inauthentic. The heavy articulation, the dark tone, and the sentiment expressed in slides and accents, all turned counterpoint into a soup.

That is why Gould had formulated a modern interpretive approach to Bach at the piano. It was unsentimental: dry, spiky, fast. Some would still criticize his approach as mechanical. Gould was a controversial figure, especially for his 1955 recording of the Goldberg Variations, a sharp departure from the romanticism of the time.

Which brings us to the really fascinating layer of this film.

Gould is playing with the man who popularized the romantic style of playing Bach on the violin. Menuhin is credited with bringing the unaccompanied sonatas the attention they deserve from audiences in the 1930s. He plays here with all his famous warmth of tone, all his sustained vibrato, and even with one or two slides. (It is also the case that his intonation is no longer secure, but that is another difficult story.)

See if you don’t agree with me, you music lovers, that these two men achieved a common interpretation that works. I believe it has power even as the performers retain their musical personalities. Something of the contrast is part of that power. But their ensemble, their unity on such things as the length of 8th notes in the fourth movement (pt. 4), and their authority in playing the piece, all create an unusual synergy.

My Reluctance To Teach Apologetics

March 12th, 2009 § 2 Comments

In my junior high years, I spent hours each week boning up on evidence that the Bible is historically accurate. I wore out Walter Martin tapes, marked up creationist books, and tried to turn conversations toward my findings.

The most frequent response I got from non-Christians was no response. I was not saying anything that seriously challenged anyone’s worldview. I was not provocative, as I had hoped to be. Nor was I even interesting.

My series on Jesus’ truth claims in John 10 is a rare exercise for me in apologetics, the defense of Christian doctrine. We are contrasting Jesus’ teachings with those of other religions, showing that the belief in Jesus as the only way to salvation is reasonable. Tagging along with this series, I’ll devote a weekly post to some of the more technical issues.

As an opening question, why are my forays into apologetics so rare?

As a matter of theological principle, to begin with, I’m convinced that God’s view of human life should not be defended, but asserted. The general tone of the Bible, whether history, epistle, or poetry, is declarative. The Lord spoke. The Lord acted. Heaven and earth obeyed. At some points in the Bible, human beings try to debate God (Job 38:1-42:6; Romans 9:14-21), but they are met with rebuke, not argumentation.

I favor this aggressive stance because God is the ultimate persuader of the human heart (1 Corinthians 2). My job as a preacher is assert his point of view and let his Spirit drive home the contrasts.

My reluctance to defend the Bible is founded on more than theological precept. I also have strategic doubts about the power of evidence-based arguments.

The accumulation of evidence to defend, say, the historicity of Noah’s ark responds to modernist attacks according to modernist terms: the hard sciences define truth. In other fields of persuasion, like politics or law, each contender knows that he or she must set the terms of the debate in order to win. For Christians to have allowed modernists to frame spiritual questions in terms of human rationality has been to concede from the beginning that the Bible does not stand on its own. We have followed a losing strategy.

Human beings have to defend themselves according to God’s terms, not the other way around. What possible confidence could I have in human justice?

Even further, I find logical problems with the evidence-based approach to apologetics, at least when its aims are confused.

The enterprise has been to confirm biblical veracity with independent data, say, from an archaeological dig. The prophet said this city would be swept into the sea, and lo, here are fibers from the very broom. But a conclusion heavier than the evidence will bear often gets dropped on the listener. Because we have the broom fibers, you should believe that the Bible is the true word of God.

In the first place, one would have to confirm every other detail in the Bible to reach that conclusion legitimately.

Additionally, and more importantly, the central assertion of Scripture is not that everything God says is true. The central assertion of Scripture is that “God spoke all these words.” The reason to believe in the veracity of the Scriptures is that they were given by God. Even if one were able to find independent confirmation of every datum in the Bible, he still would not have proved that God is the Bible’s source.

I rarely teach apologetics because the arguments are defensive. They can be legitimate, but are always limited. They can wear down an attacker and parry a blow, but they cannot convert the human soul.

Only a bold assertion of God’s rights, without apology, can do that.

Audio: Jesus Is the Door

March 10th, 2009 § Leave a Comment

by Matthew Raley

"Heinze Tomato Ketchup Box," by Andy Warhol, 1963-64, Museum of Modern Art

"Heinz Tomato Ketchup Box," by Andy Warhol, 1963-64, Museum of Modern Art

This study of John 10:7-10 looks in detail at Jesus’ use of the divine name, comparing and contrasting his claims with a passage from an ancient Hindu text.

The notion that all religions are different brands of the same product (thus the Warhol teaser) will not stand close scrutiny. The differences between systems of spirituality are of enormous consequence.

Where Am I?

You are currently viewing the archives for March, 2009 at Tritone Life.

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