Audio: Whether To Submit To a Teacher
November 24th, 2010 § Leave a Comment
by Matthew Raley
One of the most difficult decisions today is whether to trust a pastor or spiritual leader. This sermon studies how Paul described pastoral ministry in Colossians, draws out some marks of a godly pastor-elder, and gives a hard-hitting defense of pastoral authority against an ethos that has rejected it.
Audio: Deciding What To Do About Truth
November 24th, 2010 § Leave a Comment
by Matthew Raley
Decisions of conscience can be a source of anxiety. So in the series Discernment: The Forgotten Art we now turn to the question of how to decide what to do about truth. As a way of framing this kind of decision, this sermon introduces ten categories of relationships described in the Bible. If we can understand how God has ordered our relationships, we can also decide what to do in matters of conscience.
The Fearsome Nature of Forgiveness
November 17th, 2010 § 2 Comments
by Matthew Raley
The word forgive has fallen into disuse, and we’ve substituted the phrase move on. But the two actions we describe are different.
The object of my “moving on” or “forgiving” is a wrong someone has committed against me.
To move on is to leave that wrong behind on life’s road. I strive to put my relationship with the wrong-doer on a new course. I also strive to prevent my emotions returning to the wrong, so that I stop feeling angry, resentful, or grieved. And I strive to think of myself as no longer defined by the wrong: I am not a victim.
The wrong is still there. I am choosing to ignore it.
To forgive is more radical. The New Testament word aphiemi does have the idea of “letting go,” but with a greater specificity. It came to be used as a legal term for debt cancellation and divorce. A creditor’s claim no longer adhered to the debtor; a husband’s claim no longer adhered to the wife. In forgiveness, what is owed is zero.
This is the word Jesus uses when a paralytic is brought to him (Mark 2.1-12). He says to the paralytic, “My son, your sins are forgiven.” He is not saying, “God has moved on from all of the wrongs you have committed.” He is saying, “The claims against you are canceled.”
The enormity of Jesus’ statement is obvious to the religious leaders listening. “He is blaspheming! Who can forgive sins but God alone?” To zero-out the moral debts we owe is an action only God can take. Jesus heals the paralytic to verify that he does indeed have the authority to forgive. And in doing so he is claiming to be God.
The basis of Jesus’ authority is that he “gives his life as a ransom for many,” a payment to redeem sinners from their debts (Mark 10.45).
Our “move on” method of repairing personal harm doesn’t work.
For starters, it doesn’t deal with the nature of wrong-doing. Harm leaves a debt. Unpaid debt is loss. Every time I hear someone say he has “moved on,” the very next words out of his mouth reassert the loss he bears. At one moment heĀ pretends the loss is negligible, and at the next he proves how heavy the loss remains.
Deeper, “moving on” never discharges the wrong-doer. His wrong is still back there on the road. Let two people’s road cover ten years, and let the road be covered with harm’s wreckage, and then see how free and honest the two are after all their moving on.
We’ve probably stopped forgiving not because we don’t know what it means, but because we do know. We have no real basis for canceling debts, and we refuse to lie. We move on instead.
What would happen in our relationships if our own debts were canceled, and if we canceled each other’s debts on the basis of Christ’s payment? Christianity would happen.
Audio: The 6-Point Checklist–Grace
November 10th, 2010 § Leave a Comment
by Matthew Raley
The contrast between God’s grace and his law is black and white. But that’s not to say it’s always simple. The last test in our discernment checklist is whether a teaching keeps the categories of law and grace straight.
North State Symphony Premieres a New Work
November 10th, 2010 § Leave a Comment
by Matthew Raley
Many orchestras might shun new music during hard economic times. Audiences are often nervous about hearing contemporary pieces, dreading the dissonance associated with the last century. So it’s safer to offer proven concert fare: listeners will pay to hear what they know.
Conductor Kyle Wiley Pickett and the North State Symphony have not retreated from new music, even during the slump. Last May, the NSS gave the west coast premiere of the Clarinet Concerto by Lowell Liebermann, a winning piece played by the fantastic Jon Manasse. Audiences in Redding, Chico, and Red Bluff greeted the new work with thunderous approval. The concerts had great reviews as well.
Every NSS season features major works of the 20th century from composers like Bela Bartok, Igor Stravinsky, and Dmitri Shostakovich, and north state concert-goers have responded with enthusiasm.
This weekend, the NSS will give the world premiere of another new piece, the Symphony No. 1 by Dan Pinkston.
Pinkston is local, the associate professor of theory and composition at Simpson University in Redding. He told me that his interest in composition began early. He was “essentially writing pop songs in junior high school, and studied classical composition in college, as well as for my masters and doctoral degrees. Composing has always been the most natural way for me to express myself musically.”
His Symphony was commissioned by the NSS, which also commissioned Pinkston’s Woman, Why Are You Crying? and gave its premiere in 2007. Pinkston has composed yet another symphonic work called Oracles, which will be premiered at a later date.
The Symphony, he says, is “a conscious attempt to engage the audience.” Pinkston has influences as diverse as Stravinsky, Bartok, the Beatles, and U2. But Shostakovich is his favorite composer. “I have tried to strike the balance [Shostakovich] has between beauty, modernism, form, communication, etc. His music is liked by audiences and musicians, and it moves me personally.”
As the NSS rehearsed the Symphony for the first time last weekend, I was especially impressed by Pinkston’s orchestration. He makes the orchestra sound good — always a winner with musicians, who can be even more surly about new music than audiences. The flow of the work is also well-conceived. It was written to communicate, and it does so with strong use of motivic devices, inventive textures, and drama.
I think north state audiences are going to like this work, and will look forward to more new music from Dan Pinkston. Here’s a conversation between Pinkston and Pickett:
Audio: The 6-Point Checklist– The Kingdom
November 3rd, 2010 § Leave a Comment
by Matthew Raley
In this sermon we study the 5th of 6 tests for discerning truth and falsehood, the Kingdom of Christ. Does a teaching direct your loyalty to Christ’s kingdom, or to the world? What call of loyalty do you answer?
Audio: The 6-Point Checklist–Idols v. God
November 3rd, 2010 § Leave a Comment
by Matthew Raley
In this sermon we study the 4th of 6 tests for discerning truth from falsehood. Does a teaching direct our service to the living God, or to idols? We look closely at Paul’s confrontation of idolatry in Colossians 2.




